Saturday 29 October 2011

Wilco @ Camden's Roundhouse


Nels Cline on twin neck in the usual 'lets lean back' pose


Nick Lowe joins Wilco for 2nd encore number of 'Cruel to be Kind'
First visit to The Roundhouse since May 1970 when tried to see The Doors Play The Camden Rock Festival. That was sold out so got tickets for the next night which was headlinned by Family. Since then the venue has been somewhat refurbished which has been well done but the old balcony which was on the line of the inner columns has now disappeared and pushed back much further. It was on this new balcony that we disappointingly found us. Fortunatly smuggled in a decent lens hence the shots above. Annoyingly Tweedy addressed his mike with his back to our side.
An Ok set, but just Ok, not enough rapour with the audience, for when he did he came over as amusing reflecting on his 17 years of touring. The more diverse the music, soft moments followed by 'noise' the better it came across, but there was just too many soft rock numbers which fell flat.
Nick Lowe came on for a magical rendition of Cruel to be Kind, proving I suppose once again what a good song writer he is.

Highlights
Black Bull Nova (how catchy can you get but with aggresive rock noise layered over the top)
Via Chicago (amaxing juxstapostion of pure noise and Tweedy's singing)
I'll Fight (again how catchy can you get)

Setlist
  1. One Sunday Morning (Song for Jane Smiley's Boyfriend)
  2. Poor Places
  3. Art Of Almost
  4. I Might
  5. At Least That's What You Said
  6. Bull Black Nova
  7. Via Chicago
  8. Born Alone
  9. Box Full Of Letters
  10. War On War
  11. Hummingbird
  12. Whole Love
  13. Impossible Germany
  14. Open Mind
  15. I'll Fight
  16. Pot Kettle Black
  17. Dawned On Me
  18. A Shot in the Arm
Encore:
  1. The Late Greats
  2. Cruel To Be Kind
  3. Heavy Metal Drummer

Wednesday 26 October 2011

Eilen Jewel @ Camden's Cecil Sharp House.



Jerry Miller, fabulous guitar player in the old mould. Great sound out of his Gretsch.
Along to the home of England's Folk and Dance HQ in Camden, The Cecil Taylor House. Not what I expected or wanted as it was primarily a seated affair. All four sides of the purpose built hall, complete with I think Douglas Fir panelling was three rows of stacked bench seating. Ok for a big barn dance, but not for the EJ Band. In someways after all that I spotted a seat available in the front row slightly left of centre. Perfect for a couple of snap shots but lighting was poor so new it would be difficult to get a decent shot without having to resort to Photoshop. Shooting in RAW format at least gives me a good chance.
Yet again Eilen Jewel and her band do not fail to impress, songs ranging from the self penned, to covers and two Loretta Lynn numbers, all undertaken in old style short 45rpm time.
EJ clearly was annoyed that nobody would get up and dance and so a dialogue with the audience ensued, including myself and all was good fun. Cannot recall any other performer that has such a good rapport with their audience. Many requests were shouted from the audience but with such a good back catalogue not all could be accommodated. Unusually a majority of the songs were up tempo except for my requested Codeine Arms which she played in the second half. Last number up was an extended Shakin' All Over with guitarist Jerry Miller playing an excellent and long solo on guitar. The set ended and to a man and woman, EJ got a standing ovation from the 350 crowd.
It just makes you wonder why the masses love crap like X Factor, oh well, it keeps the cream for me to like and follow, and hopefully you too.
Before the band started Jerry Miller was tuning up his guitar on stage, it looked different to the one I had seen him play on three previous occassions which was bright red. I mentioned this to the professional photagrapher sitting next to me who low and behold asked him at the end of the first set. it turns out to be the same guitar, he had not changed it. Looking back to the Tingewick gig a year ago, it is bright red but exactly the same, JM did say the natural timber finish changes with the lighting, and I am guessing that the lighting at the earlier gigs were heavily in the red spectrum.

Saturday 22 October 2011

We Need to Talk About Kevin

Somewhat entertaining film which relies on Tilda Swinton's manipulations of her facial muscles to great effect. On reflection afterwards holes in the (film) story appear which although not read, probably don't surface in the book.Ezra Miller convincing as Kevin as does Jasper Newell as the younger Kevin.
One big hole in the plot detracts from the overall good impression given by the film.

7.8/10