Great Tracks No 5, Facelift by Soft Machine

Recorded in 1970, this the opening track on their album titled 'Third' is made up from two live recordings, primarily from Fairfield Hall, Croydon but some from the Mothers Club in Birmingham a week later
"Facelift" is the most radical track of the four on the double LP being some 19 minutes long. A majority of the finished product is essentially a live recording, involving tape collage, speeding up, slowing down, looping and backwards playing of tapes, the ending being the most memorable part, where two different treatments of the same basic riff (one from the live concert, the other, at double speed, from their Spaced project) are heard simultaneously, backwards. Facelift is bassist Hugh Hopper's composition and is an extended rock-jazz improvisation of the basic rift. Use of tapes in an live situation was ahead of its time, now a band would have a couple of laptops and an array of Boss loop pedals. Hopper did in fact employ a fuzz pedal. Saw them twice, once at the UCL student union in a large room with a very low ceiling, then when they made history by becoming the first 'rock band' invited to play at London's Proms in August 1970, a show which was broadcast live and subsequently released as a cd.
Very influential, and could have easily chosen any of the three other tracks, so a brief note for 'Slightly All The Time' and Robert Wyatt's 'Moon in June'
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